Andreas Steinbrecher: “Ruf der Trompeten”

Andreas Steinbrecher: Call Of The Trumpets

Andreas Steinbrecher

Solo Show
Opening January 17th 2025, 6-9pm

Over the past year and a half, we have closely followed Andreas Steinbrecher artistic development, observing the evolution of his creative strategies. Central to his practice is the constant reflection on the relationship between the artist’s hand and the support, a fundamental aspect of his work. This exploration of the line—a motif deeply rooted in the history of painting—continually re-emerges in Andreas’ work, driving the development of his pictorial language.

What distinguishes Andreas Steinbrecher approach is the agility and flexibility with which he investigates new possibilities in his search for the stroke. Few artists are willing to challenge and transform such an essential element of their artistic identity. His recent work Ruf der Trompeten reveals this bold evolution. Andreas’ innovation in “Ruf der Trompeten” is determined by an earlier mastery of the stroke that allowed him to develop a soft, warm, pictorial membrane on the canvas, to move on to a stroke that expands the canvas introducing a dynamic energy that transcends the two-dimensional space of the support.

This expansion manifests in two distinct movements: a concentric shift that draws the gravitational center inward, and an outward, expansive force that seems to break through the boundaries of the canvas itself. These pictorial strategies not only demonstrate Andreas’ technical command but also call for a deeper dialogue about the innovative pictorial approaches currently emerging from Düsseldorf.

Born in Kazakhstan in 1984, Andreas moved to Germany with his parents at the age of four. Coming from a family of craftsmen, his talent and passion for drawing were recognized early on. Despite this, he first pursued a degree in graphic design at the University of Applied Sciences in Düsseldorf, which he successfully completed. After working as a freelance designer, Andreas chose to further his artistic development by enrolling at the Düsseldorf Art Academy in 2017. Studying under Professor Thomas Scheibitz, he completed his degree in spring 2023.

works online
Large-scale painting by Andreas Steinbrecher from the exhibition ‘Ruf der Trompeten’ at wildpalms, Düsseldorf, curated by Jorge Sanguino and Alexandra Meffert. The artwork prominently features Steinbrecher’s signature elements, including a stylized cat and collage-like visual structures. Expressive black linework weaves through abstract forms in yellow, white, and purple, creating a fluid composition. The cat, a recurring motif in Steinbrecher’s work, interacts with fragmented figures and dynamic shapes, evoking themes of movement, identity, and transformation. Displayed in a bright gallery space, the painting is positioned alongside another of the artist’s works, reinforcing his distinctive visual language within the context of contemporary new painting and the Düsseldorf Akademie tradition.”
“Painting by Andreas Steinbrecher from the exhibition ‘Ruf der Trompeten’ at wildpalms, Düsseldorf, curated by Jorge Sanguino and Alexandra Meffert. The artwork features a dynamic ninja-like figure wielding a sword, rendered in an expressive, abstract style with bold black outlines and a muted color palette of purple, yellow, and gray. The painting is influenced by contemporary new painting movements, recalling elements of Thomas Scheibitz and the Düsseldorf Akademie tradition. Displayed against a white brick wall in a modern interior setting with a white sofa, plants, and a wooden side
Gallery space at wildpalms in Düsseldorf featuring two vibrant artworks by Andreas Steinbrecher. The left painting showcases a dynamic abstract composition in yellow, black, and pastel tones with organic, fluid lines. The right painting on a white brick wall portrays a stylized figure in purple, yellow, and gray hues. The space includes modern decor with plants and a white sofa, creating a harmonious, contemporary ambiance.
Large-format painting by Andreas Steinbrecher from the exhibition ‘Ruf der Trompeten’ at wildpalms, Düsseldorf, curated by Jorge Sanguino and Alexandra Meffert. The artwork features an intricate composition of expressive black line drawings over a muted beige, gray, and white background. A child’s face emerges amidst mechanical structures, evoking themes of technology, human identity, and abstraction. The layered imagery and dynamic forms recall influences from new painting movements and the Düsseldorf Akademie tradition, resonating with elements of Legers visual language. Displayed in a minimalist white gallery setting, the artwork’s scale and complexity invite contemplation.
Interior view of the wildpalms gallery in Düsseldorf during an exhibition curated by Alexandra Meffert and Jorge Sanguino, featuring artworks by Andreas Steinbrecher. On the left, a large abstract painting with fluid black lines and muted earth tones is displayed prominently. On the right, another abstract piece with vibrant yellow and organic linework is visible. The open gallery space leads to an adjacent room with additional artworks, emphasizing the modern and spacious design of the venue.
Series of pencil-on-canvas paintings by Andreas Steinbrecher from the exhibition ‘Ruf der Trompeten’ at wildpalms, Düsseldorf, curated by Jorge Sanguino and Alexandra Meffert. These monochromatic works highlight Steinbrecher’s recurring car motif, reflecting a personal and playful connection between father and child painting cars together. The fusion of human and mechanical elements evokes humor and nostalgia, echoing a lighthearted yet structured visual language. Steinbrecher’s approach resonates with the Düsseldorf school’s emphasis on form and everyday objects, drawing connections to Andreas Schulze’s stylized, rounded interpretations of domestic and urban imagery. The immersive presentation and the detailed pencil shading enhance Steinbrecher’s signature exploration of industrial aesthetics, movement, and the whimsical relationship between machines and human identity.