Educación

• M.F.A., School of Visual Arts, Nueva York
• B.F.A., Massachusetts College of Art, Boston

Exposiciones y Proyecciones Seleccionadas

• 2025 — Music Is Art, Buffalo
• 2025 — Institute for Public Architecture, Public Film Series, Governors Island
• 2024 — A Day with Chinatown Basketball Club in Films, Metrograph, Nueva York
• 2019 — A Fairly Secret Army, curated by George Gallery & wildpalms
• 2018 — Solo booth, ArtBO Bogotá, wildpalms, curated by Emiliano Valdez
• 2018 — Interiors, wildpalms, DC Open
• 2017 — Jason Duval and Lauriston Avery, Gallery George, Brooklyn, Nueva York
• 2017 — Marlborough Chelsea, Nueva York
• 2017 — Tiger Strikes Asteroid, Chicago
• 2016 — Between You and Me, Geoffrey Young Gallery, Great Barrington, Massachusetts
• 2016 — This Is Our House, This Is Our Rules, Spring/Break Art Show, Nueva York
• 2015 — The Valentine’s Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, Massachusetts
• 2014 — Edge of Continuation, Pablo’s Birthday, Nueva York, curated by Pip Deely and Mark Brown
• 2014 — The Invitational, Kunsthalle Projects, Brooklyn
• 2009 — Urban, SAKS, Geneva (solo)
• 2009 — Snippets, Sampling, Static, Rubenstein Gallery, Nueva York, curated by Cora Cohen
• 2008 — New Bedford Art Museum, New Bedford, Massachusetts, curated by David Boyce
• 2008 — Summer Mixtape Volume One, Exit Art, Nueva York, curated by Herb Tam
• 2007 — String Show, Greene Naftali, Nueva York, curated by Josh Smith
• 2007 — Kathleen Cullen Fine Arts, Nueva York (solo)
• 2006 — Regeneration Room, LMAK Projects, Nueva York, curated by Franklin Evans
• 2005 — Old Paintings, Marvelli Gallery, Nueva York (solo)
• 2004 — Beginning Here, Visual Arts Gallery, Nueva York, curated by Jerry Saltz
• 2004 — A Conversation, Marvelli Gallery, Nueva York, curated by Michael St. John
• 2004 — Band of Abstraction, Van Brunt Gallery, Nueva York, curated by Joe Fyfe
• 2002 — Back to the Future, Cynthia Broan Gallery, Nueva York, curated by Michael St. John
• 2001 — Marvelli Gallery, Nueva York (solo)
• 2000 — Subject: Object, Visual Arts Gallery, Nueva York, curated by David Row
• 1999 — Idioscapes, Mills Gallery, Boston Center for the Arts, Boston, curated by Edmund Barry Gaither and Shelly Bancroft
• 1998 — Barbara Singer Fine Art, Boston (solo)
• 1997 — 15th Drawing Show, Mills Gallery, Boston Center for the Arts
• 1997 — Andrea Marquit Fine Art, Boston (solo)

Residencias

• 2006 — Webb School, Knoxville
• 1996 — Experimental Etching Studio, Boston

Experiencia Curatorial

• 2004 — Charmed, Lower East Side Girls Club, co-curated with Michael St. John
• 2003 — Shangri-La, Islip Art Museum, co-curated with Michael St. John
• 2002 — Back to the Future, Cynthia Broan Gallery, co-organized with Michael St. John

Bibliografía

• Barbara MacAdam, “The New Abstraction,” ARTnews, April 2007, p. 113
• David Cohen, “Band of Abstraction,” exhibition review, New York Sun, July 22, 2004
• Capsule review, Art Listings, The New Yorker, July 16 & 23, 2001
• David B. Boyce, “Understudy gains lead…,” The Standard-Times, July 22, 2001
• Ken Johnson, Art Guide (capsule review), The New York Times, July 20, 2001
• Christine Temin, exhibition review, Boston Globe, September 9, 1999, pp. F1, F7
• Cate McQuaid, exhibition review, Boston Globe, October 8, 1998, pp. D1, D6
• Christine Temin, “Drawing with a Loose Definition at the BCA,” Boston Globe, December 6, 1997, pp. C1, C4
• Matt Murphy, exhibition review, ArtsMedia, January 1998, p. 20

Publicaciones

• Lorimer St. Blues, Edition TM, Nueva York, 2009
• Sinclair Hitchings et al., Proof in Print: A Community of Printmaking Studios, Boston Public Library and Mixit Print Studio, Boston, 2001

Colecciones

Webb School, Knoxville

Boston Public Library, Department of Prints

DeCordova Museum and Sculpture Park, Lincoln, Massachusetts

Massachusetts General Hospital, Boston

Bibliografía

• Barbara MacAdam, “The New Abstraction,” ARTnews, April 2007, p. 113
• David Cohen, “Band of Abstraction,” exhibition review, New York Sun, July 22, 2004
• Capsule review, Art Listings, The New Yorker, July 16 & 23, 2001
• David B. Boyce, “Understudy gains lead…,” The Standard-Times, July 22, 2001
• Ken Johnson, Art Guide (capsule review), The New York Times, July 20, 2001
• Christine Temin, exhibition review, Boston Globe, September 9, 1999, pp. F1, F7
• Cate McQuaid, exhibition review, Boston Globe, October 8, 1998, pp. D1, D6
• Christine Temin, “Drawing with a Loose Definition at the BCA,” Boston Globe, December 6, 1997, pp. C1, C4
• Matt Murphy, exhibition review, ArtsMedia, January 1998, p. 20

Publicaciones

• Lorimer St. Blues, Edition TM, Nueva York, 2009
• Sinclair Hitchings et al., Proof in Print: A Community of Printmaking Studios, Boston Public Library and Mixit Print Studio, Boston, 2001

Noticias

Black Rock Arts article in Buffalo Rising