{"id":948,"date":"2017-01-30T13:26:48","date_gmt":"2017-01-30T12:26:48","guid":{"rendered":"http:\/\/wild-palms.com\/es\/?page_id=948"},"modified":"2023-03-05T12:25:11","modified_gmt":"2023-03-05T11:25:11","slug":"incognito-nika-fontaine","status":"publish","type":"page","link":"https:\/\/wild-palms.com\/es\/incognito-nika-fontaine\/","title":{"rendered":"INCOGNITO NIKA FONTAINE"},"content":{"rendered":"\n

INCOGNITO<\/strong> NIKA FONTAINE<\/h1>\n\n\n\n
<\/div>\n\n\n\n
\n
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\"Japan<\/a><\/figure>\n<\/div>\n\n\n\n
\n

NIKA FONTAINE<\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

March 16th – April 16th 2017<\/p>\n\n\n\n

by appointment: info@wild-palms.com\/es<\/p>\n\n\n\n

@ Karl-Anton-Str. 16, 40211 D\u00fcsseldorf<\/p>\n\n\n\n

<\/p>\n\n\n\n

Press: The Dorf<\/a> & widewalls <\/a>reviews on the exhibition<\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n
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\"Incognito
Nika Fontaine. Femme Fatale. Glitter. 200 cm x 200 cm <\/figcaption><\/figure>\n<\/div>\n\n\n

<\/p>\n\n\n\n

Incognito Nika Fontaine<\/h2>\n\n\n\n

The question behind the Incognito Nika Fontaine series is: Can an artwork become decorative or even invisible when placed in the right context? The notion of decoration and ornamentation interests me for its triviality and neglected importance. I personally love elaborate embellishment in artworks and environment. The question is maybe more about which kind of judgment do we pose on an object in regards of its surroundings.<\/span><\/span><\/p>\n\n\n\n

Each painting depicts a very broad thematic adoring its clich\u00e9s without implying any narration. The upholstered velvet frames use the language of mobilier and stage curtains. As a result, each large format works are exuberantly present and hard not to acknowledge in a space. Therefore, the ironic title incognito<\/i> strengthens my position on the \u201cnon-dit\u201d high art decorum and the preciousness of the galleries and museums.<\/span><\/span><\/p>\n\n\n\n

Each painting is first installed in the context closest to its subject and documented.<\/span><\/span><\/p>\n\n\n\n

Hopefully, the works blend in swiftly and become just another decoration element.<\/span><\/span><\/p>\n\n\n\n

Presented as a whole, the series becomes once again art and proposes a dialogue. <\/span><\/span><\/p>\n\n\n\n


<\/span><\/span><\/span><\/p>\n\n\n\n

 <\/p>\n\n\n

\n
\"incognito
Incognito. Exhibition View<\/figcaption><\/figure>\n<\/div>\n\n
\n
\"Incognito<\/figure>\n<\/div>\n\n
\n
\"Incognito<\/figure>\n<\/div>\n\n
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\"Nika<\/figure>\n<\/div>\n\n
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\"IncognitoFemmeFatale\"<\/figure>\n<\/div>\n\n
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\"Incognito-view7-web\"<\/figure>\n<\/div>\n\n
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\"Incognito-view8-web\"<\/figure>\n<\/div>\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

INCOGNITO NIKA FONTAINE NIKA FONTAINE March 16th – April 16th 2017 by appointment: info@wild-palms.com\/es @ Karl-Anton-Str. 16, 40211 D\u00fcsseldorf Press: The Dorf & widewalls reviews on the exhibition Incognito Nika Fontaine The question behind the Incognito Nika Fontaine series is: Can an artwork become decorative or even invisible when placed in the right context? The […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","hide_page_title":"","footnotes":""},"class_list":["post-948","page","type-page","status-publish","hentry"],"yoast_head":"\nIncognito Nika Fontaine<\/title>\n<meta name=\"description\" content=\"Incognito Nika Fontaine (Canada) solo-exhibition curated and presented by wildpalms in D\u00fcsseldorf. 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