{"id":3187,"date":"2020-07-17T12:26:40","date_gmt":"2020-07-17T10:26:40","guid":{"rendered":"https:\/\/wild-palms.com\/es\/?page_id=3187"},"modified":"2026-09-11T02:28:36","modified_gmt":"2026-09-11T00:28:36","slug":"passage","status":"publish","type":"page","link":"https:\/\/wild-palms.com\/es\/passage\/","title":{"rendered":"PASSAGE"},"content":{"rendered":"\n<div class=\"wp-block-group alignwide wp-exhibition\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-group wp-exhibition-title\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<h1 class=\"wp-block-heading\">PASSAGE<\/h1>\n\n\n\n<p class=\"wp-block-paragraph\">\u2013 Glass Walk \u2013<br>Inauguraci\u00f3n: 4 sep. 2020 \u00b7 Exposici\u00f3n: 5 sep. \u2013 30 nov. 2020<br>Exposici\u00f3n colectiva con <a href=\"https:\/\/wild-palms.com\/es\/paul-hance\/\">Paul Hance<\/a>, Brunhilde Bordeaux-Groult y Robert Elfgen, comisariada por Jorge Sanguino<br>Parte de <a href=\"https:\/\/www.dc-open.de\/venues\/wildpalms?city=5\">DC Open<\/a>, 4\u20136 sep.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile wp-exhibition-image-text\" style=\"grid-template-columns:38% auto\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" src=\"https:\/\/wild-palms.com\/wp-content\/uploads\/2026\/09\/Paul_Hance_Robert_Elfgen_Brunhilde-Bordeaux-Groult_Curated_By_Jorge_Sanguino_14.webp\" alt=\"Pinturas de p\u00e1jaros, pieza de espejo y banco de madera y rejilla de Robert Elfgen, exposici\u00f3n Passage en wildpalms D\u00fcsseldorf, comisariada por Jorge Sanguino\" class=\"wp-image-11597 size-full\"\/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><em>Passage<\/em> es una exposici\u00f3n dial\u00f3gica entre Paul Hance (FR&amp;USA), Brunhilde Bordeaux-Groult. (FR) y Robert Elfgen (DE). Estos 3 artistas tienen en com\u00fan un profundo amor por los materiales nobles, y conciben la fabricaci\u00f3n y el trabajo manual como una pr\u00e1ctica del yo.<\/p>\n\n\n\n<style>details.wp-exhibition-see-more:not([open]) .wp-exhibition-see-more-content{display:none;}<\/style><details class=\"wp-exhibition-see-more\"><summary>Ver m\u00e1s<\/summary><div class=\"wp-exhibition-see-more-content\">\n<p>La serie de espejos de cristal hechos a mano RASA, de Paul Hance, es una obra con 15 espejos de formas y colores diferentes. Los reflejos distorsionados var\u00edan de la imagen que uno utiliza para inspeccionarse, es m\u00e1s bien un &#8220;espejo&#8221; para la b\u00fasqueda de nuevos significados. Su nombre, Rasa, es una expresi\u00f3n s\u00e1nscrita de un concepto de las artes indias sobre el sabor est\u00e9tico de cualquier obra visual, literaria o musical que evoca una emoci\u00f3n o un sentimiento en el lector o el p\u00fablico, pero que no puede describirse.<\/p>\n<p>Un espejo distorsionado inicia un viaje de uno mismo, afirma Paul Hance. En la tradici\u00f3n cham\u00e1nica de Mongolia, los espejos son un instrumento clave para mirar y construir una l\u00ednea entre el cuerpo y el alma. En Gab\u00f3n, en los rituales del Iboga, el espejo es tambi\u00e9n una herramienta para despertar a la persona a su conciencia.<\/p>\n<p>Paul Hance entrelaz\u00f3 su amplia y continua exploraci\u00f3n sobre la manipulaci\u00f3n respetuosa y ceremonial de los materiales con los usos culturales del espejo como dispositivo para explorar el yo y la psique (del alma).<\/p>\n<p>De hecho, la fabricaci\u00f3n de espejos puede leerse como una met\u00e1fora de la interconexi\u00f3n del propio viaje por la vida:<\/p>\n<p>Producir vidrio soplado a boca es una investigaci\u00f3n de \u00f3xidos, oxido-reducciones, temperaturas y precisi\u00f3n infinita. En la estructura at\u00f3mica del vidrio, los \u00e1tomos est\u00e1n desorganizados y encuentran un nuevo orden durante la fase de transici\u00f3n del estado l\u00edquido al s\u00f3lido. Este caos permite cambiar la naturaleza del vidrio. Utilizando diferentes minerales, como el cobalto y el oro, el color aparece como una nueva propiedad, se convierte en un proceso alqu\u00edmico de transformaci\u00f3n.<\/p>\n<p>Los espejos Rasa dialogan con los bancos dise\u00f1ados y fabricados por Brunhilde Bordeaux-Groult (FR) y Robert Elfgen (DE), que son esenciales para esta exposici\u00f3n, ya que invitan al espectador a ralentizarse y experimentar el &#8220;paso&#8221; del yo. Ambos artistas se centran mucho en sus pr\u00e1cticas en la nobleza del material, especialmente la madera y los tejidos, as\u00ed como en la importancia de la artesan\u00eda.<\/p>\n<\/div><\/details>\n\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group wp-exhibition-text\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h5 class=\"wp-block-heading has-text-align-center has-very-dark-gray-color has-text-color\">Texto<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:14px\">La gente siempre quiere comparar, buscar asociaciones. Ya sea para comprender mejor, por miedo a lo desconocido o para suavizar el choque de lo nuevo. La imagen especular sirve para tranquilizar al yo, se compara la idea interior del yo con la forma exterior. As\u00ed, las obras de vidrio de la serie &#8220;Rasa&#8221; del artista Paul Hance presentes en la exposici\u00f3n nos acogen con cierta familiaridad. Pero las asociaciones se pierden en la arena, porque como expresa el t\u00e9rmino Rasa, que en s\u00e1nscrito significa el sentimiento de alegr\u00eda y plenitud que no puede expresarse con palabras, que surge al contemplar una obra de arte lograda, las asociaciones y sentimientos que evocan estas obras de vidrio soplado tampoco pueden expresarse con palabras.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:14px\">Hace unos a\u00f1os, cuando Hance a\u00f1adi\u00f3 una distorsi\u00f3n alienante a sus fotograf\u00edas utilizando vidrio soplado a boca e irregular, empez\u00f3 a estudiar intensamente la antigua artesan\u00eda de la producci\u00f3n de vidrio. En sus obras, uno podr\u00eda pensar que est\u00e1 viendo vidrio transparente frente a fondos de distintos colores, pero Hance da al vidrio su coloraci\u00f3n mediante recetas transmitidas a lo largo de los siglos y la adici\u00f3n de otros materiales a la arena que se cuece. Por ejemplo, Hance produce la coloraci\u00f3n rosa que aparece en muchas de sus obras a\u00f1adiendo oro en polvo a los dem\u00e1s materiales utilizados en la producci\u00f3n de vidrio. Al calor de los hornos, las sustancias se combinan en funci\u00f3n de la proporci\u00f3n de mezcla y se transforman<br>en vidrio coloreado, tras el cual el artista monta l\u00e1minas de plata con ayuda de gelatina. Al igual que ocurre con el m\u00e9todo fotogr\u00e1fico de impresi\u00f3n con gelatina de plata, en el que las impresiones fotogr\u00e1ficas resultantes son siempre \u00fanicas, el vidrio soplado a mano, con sus diferentes colores e irregularidades, y el papel de plata, con imperfecciones deliberadamente no corregidas, tambi\u00e9n son siempre \u00fanicos. Del mismo modo que la luz, y por tanto la fotograf\u00eda, se inscribe en el material en las impresiones de plata gelatinosa, Hance&#8217; inscribe el momento cient\u00edficamente indescifrable en el que el vidrio se endurece sobre el papel de plata. Al mismo tiempo, Hance crea espejos que, a diferencia de una fotograf\u00eda, s\u00f3lo captan fugazmente una imagen del espectador y de su entorno. El espejo se utiliza como medio de percepci\u00f3n del yo exterior e interior en muchas culturas diferentes de todo el mundo. En las tradiciones cham\u00e1nicas mongolas, los espejos sirven para conectar el cuerpo y el alma, y Hance tambi\u00e9n afirma que mirarse en un espejo distorsionado estimula un viaje (&#8220;pasaje&#8221;) al yo subconsciente.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:14px\">Frente a las obras de Hance cuelga una constelaci\u00f3n de siete obras del artista Robert Elfgen. En el centro de la sala, un banco hecho por Elfgen a partir de un tronco de \u00e1rbol con un asiento tejido invita a los visitantes a sentarse y observar. Al igual que Hance, Elfgen se implica intensamente con el material utilizado y la artesan\u00eda asociada a \u00e9l. La obra de Elfgen tambi\u00e9n se caracteriza por un enfoque sensible de los materiales utilizados, distintos tipos de madera<br>madera, cobre, lat\u00f3n y vidrio, que el carpintero de formaci\u00f3n combina magistralmente con su formaci\u00f3n art\u00edstica. Al igual que el vidrio soplado a mano, la madera, con sus vetas, y los distintos metales, son piezas org\u00e1nicas \u00fanicas por oxidaci\u00f3n. En las<br>obras: un cuervo y b\u00fahos sin rostro, s\u00edmbolos de la noche y la muerte. Junto a ellos hay helechos, una forma de vida que forma parte de la naturaleza desde hace miles de a\u00f1os. Montado en un espejo est\u00e1 el apicultor, que entra en un intercambio con la naturaleza a trav\u00e9s de su conocimiento de ella y la utiliza en su beneficio. El material reflectante, el subconsciente de los b\u00fahos sin rostro y la conexi\u00f3n entre flora, fauna, materia, espacio y hombre tambi\u00e9n estimulan la reflexi\u00f3n del espectador y le devuelven a s\u00ed mismo y a su existencia en y como parte del mundo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:14px\">El di\u00e1logo se complementa con elaboradas tallas de madera de Brunhilde Bordeaux-Groult. Un biombo que no cumple su funci\u00f3n real de cubrir, ya que proporciona una visi\u00f3n guiada a trav\u00e9s de una ventana. Detr\u00e1s de \u00e9l y junto a \u00e9l hay otras tres obras colgadas en la pared, todas ellas consistentes en elaboradas tallas en madera, en las que la artista entrelaza motivos abstractos y figurativos de forma compleja. Formas y motivos abstractos se funden con motivos de la naturaleza. Todas las obras est\u00e1n recubiertas de una profunda laca negra de color a\u00f1il, que parece yacer sobre ellas como una gruesa capa de alquitr\u00e1n, d\u00e1ndoles un aspecto m\u00edstico y m\u00f3rbido y disimulando la materialidad real de la madera. Sin embargo, la textura natural de la madera emerge en algunos lugares, revelando las huellas de la naturaleza inherentes al material. Mediante el uso de formas naturales y geom\u00e9tricas entrelazadas, ocultando y revelando<br>formas, ocultando y revelando, y un compromiso intenso y sensible con el material y la artesan\u00eda similar al de los otros dos artistas, Bordeaux-Groult crea un di\u00e1logo complejo entre el material, la forma y el espacio. Con un lenguaje visual oscuro, hacen consciente al espectador de su fugacidad, pero al mismo tiempo de su papel como parte de la totalidad de la naturaleza y de la civilizaci\u00f3n humana que ha surgido de ella. Frente a esta amplia<br>instalaci\u00f3n, un banco art\u00edsticamente elaborado por Elfgen, esta vez en colaboraci\u00f3n con Bordeaux-Groult, invita a la contemplaci\u00f3n y a la experiencia del yo frente a las obras.<br><br>Texto de Moritz Simon<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group wp-exhibition-text\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Rese\u00f1as de prensa<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">03.09.2020. <a href=\"https:\/\/www.handelsblatt.com\/arts_und_style\/kunstmarkt\/langes-kunstwochenende-warum-die-dc-open-in-duesseldorf-und-koeln-so-wichtig-ist\/26155316.html?ticket=ST-728008-jh6ERokWbucXisurkGKm-ap3\">Handelsblatt. <em>Warum die \u201eDC Open\u201c in D\u00fcsseldorf und K\u00f6ln so wichtig is<\/em>t de Susanne Schreiber.<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">09\/2020 <a href=\"https:\/\/wild-palms.com\/es\/wildpalms-monopol-magazin\/\">Monopol DC Open Special<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">05.09.2020.<a href=\"https:\/\/wild-palms.com\/es\/rp05-09-20-2\/\"> Rheinische Post. Auf zur Wochende&#8230; de Helga Meister<\/a><\/p>\n<\/div><\/div>\n\n\n\n<style>.wp-block-coblocks-accordion-item details:not([open]) > .wp-block-coblocks-accordion-item__content{display:none;}<\/style>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" src=\"https:\/\/wild-palms.com\/wp-content\/uploads\/2026\/09\/Paul_Hance_Robert_Elfgen_Brunhilde-Bordeaux-Groult_Curated_By_Jorge_Sanguino_4.webp\" alt=\"Obra mural de vitral de Paul Hance en tonos rojos y naranjas, exposici\u00f3n Passage en wildpalms D\u00fcsseldorf, comisariada por Jorge Sanguino\" class=\"wp-image-11591 size-full\"\/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong>Paul Hance<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">FR &amp; USA<\/p>\n\n\n\n<div class=\"wp-block-coblocks-accordion\">\n<div class=\"wp-block-coblocks-accordion-item\"><details><summary class=\"wp-block-coblocks-accordion-item__title\">CV<\/summary><div class=\"wp-block-coblocks-accordion-item__content\">\n<p><strong>Solo + Group Exhibitions (selected)<\/strong><\/p>\n<p>2020 <a href=\"http:\/\/angelamewes.de\/mountkaplan\/\">MOUNT KAPLAN<\/a>, Angela Mewes Gallery, Berlin, DE <br>2020 <a href=\"http:\/\/memu.earthhotel.jp\/\">CHANGE IS GOOD<\/a>, Memu Earth Hotel, Hokkaido, JAP<br>2019 <a href=\"http:\/\/angelamewes.de\/volcanoes-of-mexico\/\">VOLCANOES OF MEXICO<\/a>, Angela Mewes Gallery, Berlin, DE<br>2019 <a href=\"http:\/\/angelamewes.de\/juneinthejungle\/\">JUNE IN THE JUNGLE<\/a>, Angela Mewes Gallery, Berlin, DE <br>2019 <a href=\"http:\/\/www.lepetitroyal.de\">ASAHI LIGHTS<\/a>, Le petit Royal, Frankfort, DE<br>2019 <a href=\"http:\/\/angelamewes.de\/plural-feels\/\">PLURAL FEELS<\/a>, Angela Mewes Gallery, Berlin, DE<br>2018 In Praise of Shadows, The Glass Cabinet, Berlin, DE<br>2017 <a href=\"https:\/\/wild-palms.com\/es\/paul-hance-flux-natur\/\">Flux Natura<\/a>, wildpalms Gallery, D\u00fcsseldorf, DE (SOLO)<br>2017 Fathomless Prayers, Jochum Rodgers Gallery, Berlin, DE<br>2016 Installation Works in Paper, Le petit Royal, Berlin, DE<br>2016 Curated by group show, Gabriele Senn Galerie, Vienna, AT<br>2015 Khandroma, in collaboration with Soundwalk collective, <a href=\"http:\/\/rubinmuseum.org\">Rubin Museum<\/a>, New-York, USA.<br>2015 Castalia Muse, Ping Pong group show, Palais de Tokyo, JAP<br>2015 Galerie f\u00fcr moderne fotografie, Paris, FR<br>2015 The Wheel of Dahrma, Vipassana Center, Leh, Ladakh, India.<br>2015 Les Pri\u00e8res du C\u0153ur \u2013 performance, Ecole des Beaux-arts, Pont des Arts, Paris, FR<br>2012 Jah Light, Jochum Rodgers Gallery, Berlin, DE<br>2010-11 One Love, Galerie f\u00fcr moderne fotografie, Berlin, DE<\/p>\n<p><strong>RESIDENCIES<br><\/strong><\/p>\n<p>2016 Traditional porcelain techniques, Spring Nymphenburg manufacture,&nbsp; <br>Munich, DE <br>2013-14 Traditional Japanese woodwork techniques, O2 Artisans Aggregate, Oakland, California, USA.<br>2012 Traditional stain-glass and Tiffany techniques, Spring Residency with master glass craftsman Thomas Gottschield, Berlin, DE<br>2007-08 Traditional technics of gilding and wood framing, Bilderrahmen Stephan Landwehr, Berlin, DE<\/p>\n<p><strong>COLLABORATIVE WORKS<br><\/strong><br>2018 <em><a href=\"http:\/\/soundwalkcollective.com\">With Soundwalk Collective<\/a><\/em>: Mexico field recordings for the project Illumination. Feat. Patti Smith, Abel Ferrara, Mulatu Astatke Charlotte Rampling, Melvil Poupaud, Alain Sancerni Hanns Zischler, Gudrun Gut &amp; the Sufi group of Sheik Ibrahim<br>2017 <a href=\"http:\/\/soundwalkcollective.com\"><em>With Soundwalk Collective<\/em><\/a>: Greece graphite drawings and field recordings for the project Ulysse\u2019s Syndrome, Manifesta 12, Palermo, Italy. <br>2016 <a href=\"http:\/\/soundwalkcollective.com\"><em>With Soundwalk Collective<\/em><\/a>: Peru, Mustang: recordings of natural sounds, Amazonian forest for the project Jungle-ized presented in Time Square, New York, USA.<br>2015 <a href=\"http:\/\/soundwalkcollective.com\"><em>With Soundwalk Collective<\/em><\/a>: Northern India: recording of prayers and traditional chants for the exhibition Khandroma in Rubin Museum, New-York, USA. <br>2015-16 <em>With Cyprien Gaillard:<\/em> Iran, Jordan, Ethiopia, Gabon Production works<br>2014 <em>With Cyprien Gaillard:<\/em> California, USA: production works for the 3D movie What it Does to Your City, featured at Schinkel Pavillon Berlin, Germany. <br>2011 <em>With Cyprien Gaillard:<\/em> Peru, Easter Islands, Syria&nbsp;: production works for the exhibition \u00ab&nbsp;Ur&nbsp;\u00bb organized for the \u201cMarcel Duchamp\u201d award, Centre Pompidou, Paris, France. <br>2014 <em>With Mark Borthwick<\/em>: Laos, Vietnam production wokrs for the book Dreams of this World, Fondation Cartier, Paris, France.<\/p>\n<\/div><\/details><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" src=\"https:\/\/wild-palms.com\/wp-content\/uploads\/2026\/09\/Paul_Hance_Robert_Elfgen_Brunhilde-Bordeaux-Groult_Curated_By_Jorge_Sanguino_3.webp\" alt=\"Pintura de p\u00e1jaro de Robert Elfgen sobre fondo dorado, exposici\u00f3n Passage en wildpalms D\u00fcsseldorf, comisariada por Jorge Sanguino\" class=\"wp-image-11590 size-full\"\/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong>Robert Elfgen<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">DE<\/p>\n\n\n\n<div class=\"wp-block-coblocks-accordion\">\n<div class=\"wp-block-coblocks-accordion-item\"><details><summary class=\"wp-block-coblocks-accordion-item__title\">CV<\/summary><div class=\"wp-block-coblocks-accordion-item__content\">\n<p><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\"><b>CV<br><\/b><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">*1972 in Wesseling am Rhein, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">lives and works in Cologne and Berlin, DE<\/span><\/span><\/p>\n<p><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\"><b>Education<br><\/b><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2001\u20132004 Kunstakademie D\u00fcsseldorf, DE (Meistersch\u00fcler Prof. Rosemarie Trockel)<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">1997\u20132001 Hochschule f\u00fcr Bildende K\u00fcnste Braunschweig (John Armleder), Braunschweig, DE<\/span><\/span><\/p>\n<p><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\"><b>Awards &amp; <\/b><b>Grants<\/b> <br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2015\/2017 CCA Andratx, Mallorca, ES <br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2014 G\u00fcnther-Peill-Stipendium, D\u00fcren, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2009 Grafikpreis des Landes NRW, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2007 grants of the Stiftung Kunstfonds, Bonn, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2007 F\u00f6rderpreis des Landes NRW f\u00fcr junge K\u00fcnstlerinnen und K\u00fcnstler, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2004grant of K\u00f6lnischer Kunstverein und \/ and Imhoff-Stiftung, Cologne, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2004 Peter Mertes Stipendium, Bonner Kunstverein, Bonn, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2001\u20132004 grant of the Cusanuswerkes Bonn, DE<\/span><\/span><\/p>\n<p><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\"><b>Selected exhibitions (solo)<br><\/b><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2018 &#8216;<a href=\"http:\/\/www.tanjapol.com\/exhibitions\/83\/kurvenreiche_strecke\">Kurvenreiche Strecke<\/a>&#8216;, Tanja Pol Galerie, M\u00fcnchen, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2016 &#8216;Strandspaziergang&#8217;, Leopld-Hoesch Museum, D\u00fcren, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2016 &#8216;<a href=\"http:\/\/www.tanjapol.com\/exhibitions\/66\/von_meeren_und_fluessen\">Von Meeren und Fl\u00fcssen<\/a>&#8216;, Tanja Pol Galerie, Munich, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2015 <a href=\"https:\/\/www.oldenburger-kunstverein.de\/ausstellung\/robert-elfgen\/\">&#8216;h\u00f6ren was zusehen&#8217;<\/a>, Kunstverein Oldenburg, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2015 <a href=\"https:\/\/marianneboeskygallery.com\/exhibitions\/92-robert-elfgen-there-and-after-all\/installation_shots\/\">&#8216;there and after all&#8217;<\/a>&nbsp;Marian Boesky Gallery, New York, USA<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2014 <a href=\"https:\/\/spruethmagers.com\/exhibitions\/robert-elfgen-i-wish-my-pictures-berlin\/\">&#8216;I wish my pictures&#8217;<\/a>, Spr\u00fcth Magers Berlin, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2013 <a href=\"http:\/\/www.tanjapol.com\/exhibitions\/51\/more_than_anything\">&#8216;more than anything\u2019<\/a>, Tanja Pol Galerie, Munich, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2012 <a href=\"https:\/\/spruethmagers.com\/exhibitions\/robert-elfgen-development-berlin\/\">&#8216;development&#8217;<\/a>, Spr\u00fcth Magers Berlin, Berlin, DE(Kat.\/Cat.)<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2009 <a href=\"https:\/\/marianneboeskygallery.com\/exhibitions\/193-robert-elfgen-volles-programm\/installation_shots\/\">&#8216;Volles Programm&#8217;<\/a>, Marianne Boesky Gallery, New York, USA <br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2009 <a href=\"https:\/\/spruethmagers.com\/exhibitions\/robert-elfgen-grenzubergang-berlin\/\">&#8216;grenz\u00fcbergang&#8217;<\/a>, Spr\u00fcth Magers, Berlin, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2008 <a href=\"https:\/\/spruethmagers.com\/exhibitions\/robert-elfgen-antriebswelle-london\/\">&#8216;Antriebswelle&#8217;<\/a>, Spr\u00fcth Magers,London,UK<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2008 &#8216;des bien ich&#8217;, Spr\u00fcth Magers, Cologne, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2008 F\u00f6rderpreisausstellung f\u00fcr Bildende Kunst des Landes Nordrhein-Westfalen (with Manuel Graf), Reichsabtei Aachen-Kornelim\u00fcnster, Aachen, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2007 &#8216;Elfgen-Technik versenden und empfangen&#8217;, Samsa, Berlin, DE<br>2006 &#8216;wie man wird, was man ist&#8217;, Spr\u00fcth Magers Projekte, Munich, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2006 &#8216;Expedition&#8217;, westlondonprojects, London, UK<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2005 &#8216;1+1=3 Elfgen Technik&#8217;, Peter Mertes Stipendium, Bonner Kunstverein, Bonn, DE(Kat.\/Cat.)<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2003 &#8216;Raumtaucher&#8217;, Simultanhalle, Cologne, DE (Kat.\/Cat.)<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2003 &#8216;Raumtaucher&#8217;, Screening,Hafenlichtspiele D\u00fcsseldorf, Dusseldorf, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">1999 Kulturzentrum Antwerpen, Antwerp, BE<\/span><\/span><\/p>\n<p><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\"><b>Selected exhibitions (group)<br><\/b><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2020 &#8216;Passage&#8217;, wildpalms, D\u00fcsseldorf, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2019 <a href=\"https:\/\/www.museum-of-now.com\/robert-elfgen\">\u2018Berlin Edition 2019\u2013In the Search of Now\u2019<\/a>, Museum of Now, Berlin, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2019 <a href=\"https:\/\/www.susanneneuerburg.de\/ausstellungen\/archiv\/grab-hold-let-it-go\/\">&#8216;grab,hold &amp; let it go&#8217;<\/a>, Galerie Susanne Neuerburg, Hennef, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2017 &#8216;Spargelmatinee von Martin W\u00f6hrl und Martin Fengel&#8217;, Villa Stuck, M\u00fcnchen, DE <br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2016 \u2018Der gestiefelte Kater (Puss in Boots), MVP New York, USA<br>2015 &#8216;aint il rom\u2013Exposiziun a Lavin&#8217;, Chasa Bastiann, CH<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2015 <a href=\"http:\/\/www.tanjapol.com\/exhibitions\/63\/there_is_no_out_there_out_there\">&#8216;There is no out there out there&#8217;<\/a>, Tanja Pol Gallery, Munich, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2014 <a href=\"https:\/\/www.aplusbgallery.it\/portfolio_page\/lavventura-die-mit-der-liebe-spielen\/\">&#8216;L\u2019avventura \u2013Die mit der Liebe spielen\u2019<\/a>, A+B contemporary art, Brescia, IT<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2014 <a href=\"https:\/\/www.lentos.at\/html\/de\/2890.aspx\">&#8216;Slapstick!&#8217;<\/a>, LENTOS Kunstmuseum Linz, AT<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2014 &#8216;PAPERWORLDS. Kinder-und Jugendzeichnungen zeitgen\u00f6ssischer K\u00fcnstler&#8217;, me Collectors Room Berlin\/Stiftung Olbricht, Berlin, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2013 <a href=\"https:\/\/avlskarl.com\/exhibitions\/silent\/\">&#8216;SILENT&#8217;<\/a>, Avlskarl Gallery, Copenhagen, DK<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2013 &#8216;Slapstick!&#8217;, Kunstmuseum Wolfsburg, Wolfsburg, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2013 &#8216;Collage&#8217;, Galerie Anne de Villepoix, Paris, FR<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2012 &#8216;Rheinland&#8217;, curated by Uta M. Reindl, Galer\u00eda Helga de Alvear, Madrid, ES<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2012 &#8216;Plaisirsdu Jardin (with Michail Pirgelis, Stephanie Stein)&#8217;, Museum Morsbroich, Leverkusen, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2012 &#8216;abc \u2013art berlin contemporary&#8217;, Station Berlin am Gleisdreieck, Berlin, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2011 &#8216;Kunst-Stoff. Textilien in der Kunst seit 1960&#8217;, St\u00e4dtische Galerie Karlsruhe, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2011 &#8216;MORGEN&#8217;, Provinz Editionen, Bochum, DE<br>2011 &#8216;Scoopers&#8217;, Screening ImageMovement at Oslo10, Basel, CH<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2011 &#8216;Winter in America&#8217;, Tanja Pol Galerie, Munich, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2010&#8217;DIE FUGE-Portrait II&#8217;, Floreria Flor-art, Buenos Aires, AR<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2010 Jahresgaben 2010\/2011, Der Kunstverein, seit 1817., Hamburg, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2009 \u2018Ausgezeichnet! -Der Grafikpreis NRW <br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2009 \u2019,Reichsabtei Aachen-Kornelim\u00fcnster, Aachen, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2008 &#8216;Paul Thek. Werkschau im Kontext zeitgen\u00f6ssischer Kunst&#8217;, (cooperation with Kai Althoff), Sammlung Falckenberg, Hamburg, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2007 &#8216;Paul Thek. Werkschau im Kontext zeitgen\u00f6ssischer Kunst&#8217;, (cooperation with mit Kai Althoff), ZKM \u2013Zentrum f\u00fcr Kunst und Medientechnologie, Karlsruhe, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2007 &#8216;Atelierstipendiaten des K\u00f6lnischen Kunstvereins&#8217;, Die Br\u00fccke, Cologne, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2007 &#8216;Sicht Weisen -Kunst auf der Talachse&#8217;, Kunst im \u00f6ffentlichen Raum Wuppertal, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2006 &#8216;Wo warst du! All Ambra&#8217;, Tiroler K\u00fcnstlerschaft, Innsbruck, AT<br>20<\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">06 &#8216;Kunst-Aktion zur jungen Nacht 2006&#8217;, Aktion mit \/ with Helge Tscharn am Friesenplatz, im Rahmen der \/ in the context of kunst:dialoge am Museum Ludwig, Cologne, DE <br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2006 &#8216;Lieber Friedrich&#8217;, Kunstverein Kassel, Kassel, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2005 &#8216;Regarding D\u00fcsseldorf \u2013Junge Kunst in D\u00fcsseldorf&#8217;, 701 e.V., DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2005 &#8216;Der Kunst ihre R\u00e4ume&#8217;, Kunstverein Bonn, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2005 &#8216;Servus&#8217;, UNION, Cologne, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2005 &#8216;K\u00f6ln-Quartett 05&#8217;, Fuhrwerkswaage Kunstraum K\u00f6ln, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2005 &#8216;Open Space 2005&#8217;, Art Cologne, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2005 &#8216;7&#8217;, Spr\u00fcth Magers Lee, London, UK<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2005 &#8216;RE-ESCAPE&#8230;.))) )) ) )&#8217;, Galerie im Regierungsviertel, Berlin, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2004&#8217;Supra Caput Esse&#8217;, (mit \/ with Kai Althoff, Abel Auer, Armin Kr\u00e4mer), Corvi-Mora Gallery, London, UK <br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2004 &#8216;Akademierundgang&#8217;, Deutsche Bank Dusseldorf, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2004 &#8216;Djordjadze \/ Elfgen \/ Scheepers&#8217;, Spr\u00fcth Magers Projekte, Munich, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2004 Auf dem Berlich, Projektraum, Cologne, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2004 &#8216;RUN-SPACES INTERNATIONAL\u2019, Simultanhalle, Cologne, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2004 Rheinschau, Cologne, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2004 &#8216;F\u00fcr die Konstruktion des Unm\u00f6glichen&#8217;, European Kunsthalle, Cologne, DE<br>2<\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">003 &#8216;Immer die beiden Anderen&#8217;, Neue B\u00fcgelei, Wuppertal, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2002 \u2018Lehrer \/ Sch\u00fcler: Klasse Rosemarie Trockel&#8217;, Kunstverein Gelsenkirchen, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2001 &#8216;Cusanus-Stipendiaten&#8217;, Pasinger Fabrik, Munich, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2000 &#8216;Fahrvergn\u00fcgen&#8217;, Klasse John Armleder, American Fine Arts Co., New York, USA<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">2000 &#8216;Generation Gold&#8217;, Haus Schwarzenberg, Berlin, DE<br><\/span><\/span><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">1999 &#8216;Lovely Music Project&#8217;, Klasse John Armleder, Kunstverein Braunschweig, DE<\/span><\/span><\/p>\n<\/div><\/details><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" src=\"https:\/\/wild-palms.com\/wp-content\/uploads\/2026\/09\/Paul_Hance_Robert_Elfgen_Brunhilde-Bordeaux-Groult_Curated_By_Jorge_Sanguino_8.webp\" alt=\"Obra de madera negra grabada de Brunhilde Bordeaux-Groult y banco de madera con la parte superior amarilla de Robert Elfgen, exposici\u00f3n Passage en wildpalms D\u00fcsseldorf, comisariada por Jorge Sanguino\" class=\"wp-image-11595 size-full\"\/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong>Brunhilde Bordeaux-Groult<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">FR<\/p>\n\n\n\n<div class=\"wp-block-coblocks-accordion\">\n<div class=\"wp-block-coblocks-accordion-item\"><details><summary class=\"wp-block-coblocks-accordion-item__title\">TEXTO<\/summary><div class=\"wp-block-coblocks-accordion-item__content\">\n<p><span style=\"color: #000000;\"><span style=\"font-family: Avenir Next;\"><span style=\"font-size: medium;\">Brunhilde Bordeaux-Groult works with darkly stained wood, from which she releases drawings in delicate subtractive carving processes. In parallel to this practice she layers and adds materials to create embroideries on different kinds of textiles. Her pictorial language oscillates between abstract and figurative qualities. Repeatedly, human outlines fizzle out into vegetal or crystalline structures. Often her works recall the concept of the \u201aAnima Mundi\u2018, a central idea to historical Romanticism\u2019s philosophy of nature. A crucial point of reference for her is the poet Novalis\u2018 notion that all living beings on earth sprung from the same source and together form a unified whole. She relates this figure of thought to the alchemistic teachings of transmutability, which are an equal focus of her studies. On a formal level in her work, Bordeaux-Groult negotiates between models of order on the one hand, and, on the other, the suggestion of fluid potentials which can perforate beyond seemingly fixed conditions. One group of reoccurring forms she employs are schematic \u2013 circles, octagons and shield-like forms, which historically emerged from the ambition to define totalities. The artist challenges these symbols of boundary-defined totality by invading them with her vegetal and crystalline drawings, the fluid and transgressive energy of which seems to strive beyond them. Some of these lively drawings almost seem to illustrate microbiological processes, some resemble lichen, a hybrid life form that consists of both algae and mushrooms and, due to its ability to survive in outer space, seems destined to cross even the boundaries between worlds. Brunhilde Bordeaux-Groult\u2019s work hauntingly asserts life\u2019s uncontainability and its ambiguous consequences: immense vigor as well as a fundamentally symbiotic constitution which unifies the fate of all living beings in fragile entanglements.<\/span><\/span><\/span><\/p>\n<p>\u00a0&#8211; by Agnes Scherer<\/p>\n<\/div><\/details><\/div>\n\n\n\n<div class=\"wp-block-coblocks-accordion-item\"><details><summary class=\"wp-block-coblocks-accordion-item__title\">CV<\/summary><div class=\"wp-block-coblocks-accordion-item__content\">\n<p><span style=\"font-family: Avenir Next;\">1986 geboren\/born in Clamart, France<br \/>2005 \u2013 2015 Kunstakademie D\u00fcsseldorf<\/span><\/p>\n<p><strong><span style=\"font-family: Avenir Next;\">Einzelausstellungen \/ Solo Exhibitions<\/span><\/strong><\/p>\n<p><span style=\"font-family: Avenir Next;\">2015 <\/span><em><span style=\"font-family: Avenir Next;\">Let\u2019s meet where you are<\/span><\/em><span style=\"font-family: Avenir Next;\">, KM, Berlin<br \/><\/span><span style=\"font-family: Avenir Next;\">2014 <\/span><em><span style=\"font-family: Avenir Next;\">Neha<\/span><\/em><span style=\"font-family: Avenir Next;\">, Schloss Neersen, Willich<br \/><\/span><em><span style=\"font-family: Avenir Next;\">2014 Frau Zopf und Herr Locke<\/span><\/em><span style=\"font-family: Avenir Next;\">, Rompone artspace, K\u00f6ln (mit Dragutin Banic)<br \/><\/span><span style=\"font-family: Avenir Next;\">2013 <\/span><em><span style=\"font-family: Avenir Next;\">allEin<\/span><\/em><span style=\"font-family: Avenir Next;\">, KM, Berlin<\/span><\/p>\n<p><strong><span style=\"font-family: Avenir Next;\">Gruppenausstellungen \/ Group Exhibitions<\/span><\/strong><\/p>\n<p><span style=\"font-family: Avenir Next;\">2018 Nov Arcade Project, curated by Stephanie Rita Moeller, London, GB<br \/>2018 Windsor Park Hall Group Show curated by Matie von Papen, London, GB<br \/>Group Show bei Noah Klink Berlin DE<br \/><\/span><span style=\"font-family: Avenir Next;\">2017 <\/span><em><span style=\"font-family: Avenir Next;\">five years changing &amp; growing<\/span><\/em><span style=\"font-family: Avenir Next;\">, KM, Berlin<br \/><\/span><span style=\"font-family: Avenir Next;\">2015 <\/span><em><span style=\"font-family: Avenir Next;\">Mittagstisch<\/span><\/em><span style=\"font-family: Avenir Next;\">, Ladybug House, San Francisco<br \/><\/span><span style=\"font-family: Avenir Next;\">2014 <\/span><em><span style=\"font-family: Avenir Next;\">Memorandum, <\/span><\/em><span style=\"font-family: Avenir Next;\">118, Rue du Bac, Paris<br \/><\/span><em><span style=\"font-family: Avenir Next;\">2014 German Kleinformat, <\/span><\/em><span style=\"font-family: Avenir Next;\">K\u00f6lnberg Kunstverein, K\u00f6ln<br \/><\/span><em><span style=\"font-family: Avenir Next;\">2014 The Open Tents of Habima Fuchs<\/span><\/em><span style=\"font-family: Avenir Next;\">, Krokus Gallery, Bratislava<br \/><\/span><span style=\"font-family: Avenir Next;\">2013 <em>anders sagen<\/em>, <\/span><span style=\"font-family: Avenir Next;\">KM, Berlin<br \/><\/span><em><span style=\"font-family: Avenir Next;\">2013 <\/span><\/em><span style=\"font-family: Avenir Next;\">BBK Forum, D\u00fcsseldorf 2011 <\/span><em><span style=\"font-family: Avenir Next;\">Follow Up<\/span><\/em><span style=\"font-family: Avenir Next;\">, PwC, D\u00fcsseldorf<br \/><\/span><span style=\"font-family: Avenir Next;\">2010 <\/span><em><span style=\"font-family: Avenir Next;\">Dialogue<\/span><\/em><span style=\"font-family: Avenir Next;\">, Franziskus-Kirche, Bratislawa<br \/><\/span><em><span style=\"font-family: Avenir Next;\">2010 K\u00fcnstlerb\u00fccher<\/span><\/em><span style=\"font-family: Avenir Next;\">, Kulturbahnhof Eller, D\u00fcsseldorf<br \/><\/span><span style=\"font-family: Avenir Next;\">2009 Stadtmuseum, D\u00fcsseldorf<\/span><\/p>\n<p><strong><span style=\"font-family: Avenir Next;\">Preise und Stipendien \/ Awards and Grants<br \/><\/span><\/strong><span style=\"font-family: Avenir Next;\">2012 Residency Coco Collection, St Vincent de Tyrosse, France<br \/><\/span><span style=\"font-family: Avenir Next;\">2011 Residency Coco Collection, St Vincent de Tyrosse, France<\/span><\/p>\n<\/div><\/details><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-exhibition-photos\">\n<h2>Vistas de la Exposici\u00f3n<\/h2>\n<p>Obras de Paul Hance, Robert Elfgen y Brunhilde Bordeaux-Groult. <em>Passage<\/em>, comisariada por Jorge Sanguino.<\/p>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/wild-palms.com\/wp-content\/uploads\/2026\/09\/Paul_Hance_Robert_Elfgen_Brunhilde-Bordeaux-Groult_Curated_By_Jorge_Sanguino_14.webp\" alt=\"Pinturas de p\u00e1jaros, pieza de espejo y banco de madera y rejilla de Robert Elfgen, exposici\u00f3n Passage en wildpalms D\u00fcsseldorf, comisariada por Jorge Sanguino\" class=\"wp-image-11597\"\/><figcaption class=\"wp-element-caption\">Pared de pinturas de p\u00e1jaros sobre un banco de madera y rejilla, ambos de Robert Elfgen<\/figcaption><\/figure>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/wild-palms.com\/wp-content\/uploads\/2026\/09\/Paul_Hance_Robert_Elfgen_Brunhilde-Bordeaux-Groult_Curated_By_Jorge_Sanguino_3.webp\" alt=\"Pintura de p\u00e1jaro de Robert Elfgen sobre fondo dorado, exposici\u00f3n Passage en wildpalms D\u00fcsseldorf, comisariada por Jorge Sanguino\" class=\"wp-image-11590\"\/><figcaption class=\"wp-element-caption\">Pintura de p\u00e1jaro de Robert Elfgen<\/figcaption><\/figure>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/wild-palms.com\/wp-content\/uploads\/2026\/09\/Paul_Hance_Robert_Elfgen_Brunhilde-Bordeaux-Groult_Curated_By_Jorge_Sanguino_1.webp\" alt=\"Pinturas de p\u00e1jaros, pieza de espejo y banco de madera de Robert Elfgen, exposici\u00f3n Passage en wildpalms D\u00fcsseldorf, comisariada por Jorge Sanguino\" class=\"wp-image-11588\"\/><figcaption class=\"wp-element-caption\">Pinturas de p\u00e1jaros sobre un banco de madera, ambos de Robert Elfgen<\/figcaption><\/figure>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/wild-palms.com\/wp-content\/uploads\/2026\/09\/Paul_Hance_Robert_Elfgen_Brunhilde-Bordeaux-Groult_Curated_By_Jorge_Sanguino_2.webp\" alt=\"Vista de la instalaci\u00f3n con obras de vitral de Paul Hance y un banco de madera de Robert Elfgen, exposici\u00f3n Passage en wildpalms D\u00fcsseldorf, comisariada por Jorge Sanguino\" class=\"wp-image-11589\"\/><figcaption class=\"wp-element-caption\">Obras de vitral de Paul Hance y un banco de madera de Robert Elfgen<\/figcaption><\/figure>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/wild-palms.com\/wp-content\/uploads\/2026\/09\/Paul_Hance_Robert_Elfgen_Brunhilde-Bordeaux-Groult_Curated_By_Jorge_Sanguino_4.webp\" alt=\"Obra mural de vitral de Paul Hance en tonos rojos y naranjas, exposici\u00f3n Passage en wildpalms D\u00fcsseldorf, comisariada por Jorge Sanguino\" class=\"wp-image-11591\"\/><figcaption class=\"wp-element-caption\">Obra mural de vitral de Paul Hance<\/figcaption><\/figure>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/wild-palms.com\/wp-content\/uploads\/2026\/09\/Paul_Hance_Robert_Elfgen_Brunhilde-Bordeaux-Groult_Curated_By_Jorge_Sanguino_5.webp\" alt=\"Obra mural de vitral de Paul Hance en tonos azules y rojos, exposici\u00f3n Passage en wildpalms D\u00fcsseldorf, comisariada por Jorge Sanguino\" class=\"wp-image-11592\"\/><figcaption class=\"wp-element-caption\">Obra mural de vitral de Paul Hance<\/figcaption><\/figure>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/wild-palms.com\/wp-content\/uploads\/2026\/09\/Paul_Hance_Robert_Elfgen_Brunhilde-Bordeaux-Groult_Curated_By_Jorge_Sanguino_6.webp\" alt=\"Obra mural de vitral de Paul Hance en tonos amarillos, negros y rosas, exposici\u00f3n Passage en wildpalms D\u00fcsseldorf, comisariada por Jorge Sanguino\" class=\"wp-image-11593\"\/><figcaption class=\"wp-element-caption\">Obra mural de vitral de Paul Hance<\/figcaption><\/figure>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/wild-palms.com\/wp-content\/uploads\/2026\/09\/Paul_Hance_Robert_Elfgen_Brunhilde-Bordeaux-Groult_Curated_By_Jorge_Sanguino_7.webp\" alt=\"Obra mural de vitral de Paul Hance en tonos amarillos y rosas, exposici\u00f3n Passage en wildpalms D\u00fcsseldorf, comisariada por Jorge Sanguino\" class=\"wp-image-11594\"\/><figcaption class=\"wp-element-caption\">Obra mural de vitral de Paul Hance<\/figcaption><\/figure>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/wild-palms.com\/wp-content\/uploads\/2026\/09\/Paul_Hance_Robert_Elfgen_Brunhilde-Bordeaux-Groult_Curated_By_Jorge_Sanguino_15.webp\" alt=\"Obra mural circular de vitral de Paul Hance en rosa, naranja y azul marino, exposici\u00f3n Passage en wildpalms D\u00fcsseldorf, comisariada por Jorge Sanguino\" class=\"wp-image-11598\"\/><figcaption class=\"wp-element-caption\">Obra mural circular de vitral de Paul Hance<\/figcaption><\/figure>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/wild-palms.com\/wp-content\/uploads\/2026\/09\/Paul_Hance_Robert_Elfgen_Brunhilde-Bordeaux-Groult_Curated_By_Jorge_Sanguino_8.webp\" alt=\"Obra de madera negra grabada de Brunhilde Bordeaux-Groult y banco de madera con la parte superior amarilla de Robert Elfgen, exposici\u00f3n Passage en wildpalms D\u00fcsseldorf, comisariada por Jorge Sanguino\" class=\"wp-image-11595\"\/><figcaption class=\"wp-element-caption\">Obra de madera negra grabada de Brunhilde Bordeaux-Groult y banco de madera con la parte superior amarilla de Robert Elfgen<\/figcaption><\/figure>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/wild-palms.com\/wp-content\/uploads\/2026\/09\/Paul_Hance_Robert_Elfgen_Brunhilde-Bordeaux-Groult_Curated_By_Jorge_Sanguino_13.webp\" alt=\"Banco de madera con respaldo de listones amarillos de Robert Elfgen, exposici\u00f3n Passage en wildpalms D\u00fcsseldorf, comisariada por Jorge Sanguino\" class=\"wp-image-11596\"\/><figcaption class=\"wp-element-caption\">Banco de madera con respaldo de listones amarillos de Robert Elfgen<\/figcaption><\/figure>\n<\/div>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center has-vivid-cyan-blue-color has-text-color\">EVENTOS ESPECIALES DE DOMINGO: <\/h5>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\" style=\"font-size:14px\">\u00a1Yoga flow suave y relajante @ PASSAGE, seguido de croissant vegano, caf\u00e9 + t\u00e9!<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\" style=\"font-size:14px\"><strong>FECHAS<\/strong>: <br>Domingos 9\/13, 9\/20, 9\/27, 10\/4, 10\/11, 19\/18, 10\/25<br>11:00 h (hasta aprox. 13:00 h) <\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:14px\">precio: 15 \u20ac por persona y evento<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:14px\">Qu\u00e9 necesitas:<br>Ropa c\u00f3moda que permita moverse y, si tienes tu propia esterilla de yoga, tr\u00e1ela, por favor (medidas de seguridad por el coronavirus). Si no la tienes, ind\u00edcalo en tu inscripci\u00f3n.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:14px\">Las plazas est\u00e1n limitadas a 6 participantes por fecha; para apuntarte, escr\u00edbenos indicando la fecha a la que quieres venir.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:14px\">*La clase puede impartirse en alem\u00e1n y\/o ingl\u00e9s.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Soft Yoga Flow I | Strala Gentle | bed-time yoga\" width=\"660\" height=\"371\" src=\"https:\/\/www.youtube.com\/embed\/bRtVyCqwQtk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link wp-element-button\" href=\"mailto:info@lightspacemovement.com\">Inscr\u00edbete<\/a><\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>PASSAGE \u2013 Glass Walk \u2013Inauguraci\u00f3n: 4 sep. 2020 \u00b7 Exposici\u00f3n: 5 sep. \u2013 30 nov. 2020Exposici\u00f3n colectiva con Paul Hance, Brunhilde Bordeaux-Groult y Robert Elfgen, comisariada por Jorge SanguinoParte de DC Open, 4\u20136 sep. Passage es una exposici\u00f3n dial\u00f3gica entre Paul Hance (FR&amp;USA), Brunhilde Bordeaux-Groult. (FR) y Robert Elfgen (DE). Estos 3 artistas tienen en [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","hide_page_title":"","footnotes":""},"class_list":["post-3187","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>PASSAGE | PAUL HANCE | wildpalms D\u00fcsseldorf<\/title>\n<meta name=\"description\" content=\"Paul Hance &#039;s second show during the DC OPEN 2020. 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