{"id":2499,"date":"2019-06-02T15:20:40","date_gmt":"2019-06-02T13:20:40","guid":{"rendered":"http:\/\/wild-palms.com\/es\/?page_id=2499"},"modified":"2023-07-22T17:53:19","modified_gmt":"2023-07-22T15:53:19","slug":"art-of-the-americas","status":"publish","type":"page","link":"https:\/\/wild-palms.com\/es\/art-of-the-americas\/","title":{"rendered":"Art of the Americas"},"content":{"rendered":"\n<h5 class=\"wp-block-heading has-text-align-center\">ART OF THE AMERICAS<\/h5>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-left has-background has-small-font-size\" style=\"background-color:#d1dfe4\">with the title of <a href=\"https:\/\/artoftheamericas.net\/\" target=\"_blank\" rel=\"noreferrer noopener\">ART OF THE AMERICAS<\/a> Jorge Sanguino &amp; wildpalms produce qualitative and amusing content in form of talks, screenings, articles and podcasts.<br>Each session has a specific focus on different cities, regions and countries with artists, curators and other art professionals working in those regions. <\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading has-text-align-center has-background has-small-font-size\" style=\"background-color:#d1dfe4\">The aim is to promote Latin American in Germany<\/h2>\n<\/div>\n<\/div>\n\n\n\n<h5 class=\"wp-block-heading alignwide has-text-align-center has-background\" style=\"background-color:#d1dfe4\">SESSIONS | TALKS, SCREENINGS + PODCASTS<\/h5>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2023\/06\/Workshop-Monumento-Migrante-wildpalms-roberto-uribe-duesseldorf.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"724\" height=\"1024\" src=\"https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2023\/06\/Workshop-Monumento-Migrante-wildpalms-roberto-uribe-duesseldorf-724x1024.jpg\" alt=\"\" class=\"wp-image-7642\" srcset=\"https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2023\/06\/Workshop-Monumento-Migrante-wildpalms-roberto-uribe-duesseldorf-724x1024.jpg 724w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2023\/06\/Workshop-Monumento-Migrante-wildpalms-roberto-uribe-duesseldorf-212x300.jpg 212w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2023\/06\/Workshop-Monumento-Migrante-wildpalms-roberto-uribe-duesseldorf-768x1086.jpg 768w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2023\/06\/Workshop-Monumento-Migrante-wildpalms-roberto-uribe-duesseldorf-1086x1536.jpg 1086w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2023\/06\/Workshop-Monumento-Migrante-wildpalms-roberto-uribe-duesseldorf.jpg 1414w\" sizes=\"auto, (max-width: 724px) 100vw, 724px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>WORKSHOP<\/strong><\/p>\n\n\n\n<p>This workshop with Roberto Uribe, is a parcours in the streets of wildpalms to discover the architectural elements that make up the public space of the city and its memory. Returning to the space of wildpalms, he will help in the reconstruction of a significant space. Working with simple elements, the so-called moving bags with a gridded surface, we will construct objects, surfaces and spaces that dialogue with these places.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-align-center\"><mark><a href=\"https:\/\/artoftheamericas.net\/writings\/the-change-in-patterns\/\" target=\"_blank\" rel=\"noreferrer noopener\">THE CHANGE IN PATTERNS: TALKS &amp; SCREENINGS<\/a>.<\/mark><\/p>\n\n\n\n<p style=\"font-size:15px\">Please join us from the 28th for our screening of works by <strong>Hans Baumann &amp; Lukas Marxt<\/strong>, with an artist talk about the social and environmental complexity around the Salton Sea in California. Wed.<strong> Prof. <a href=\"https:\/\/bkb.eyes2k.net\/\" target=\"_blank\" rel=\"noreferrer noopener\">Dr. Birte Kleine Benne<\/a><\/strong> will share her research on broadening the scope of art sciences by inviting us to rethink from a multilayer perspective beyond modernism and foundational knowledge of the art history. Friday, <strong><a href=\"https:\/\/www.uni-due.de\/kunst-kuwiss\/d20_mit_ohls.php\" target=\"_blank\" rel=\"noreferrer noopener\">Dr. Hauke Ohls<\/a><\/strong> will present the new research that explores extractive industries and contemporary artistic practices.<\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2023\/03\/Postkarte_Marine-Target--1024x576.jpg\" alt=\"\" class=\"wp-image-7373 size-full\" srcset=\"https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2023\/03\/Postkarte_Marine-Target--1024x576.jpg 1024w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2023\/03\/Postkarte_Marine-Target--300x169.jpg 300w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2023\/03\/Postkarte_Marine-Target--768x432.jpg 768w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2023\/03\/Postkarte_Marine-Target-.jpg 1536w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p style=\"font-size:13px\"><strong>TALK &amp; SCREENING<\/strong> 28.3.2023, 7 pm:<br>\u201ePosition Vector Salton Sea\u201c &amp; &#8220;Marina Target&#8221;<br>Screening and Talk w\/ Hans Baumann, Lukas Marxt, in cooperation w&#8217;\/ <a href=\"http:\/\/stiftung-imai.de\/\" target=\"_blank\" rel=\"noreferrer noopener\">IMAI Stiftung<\/a>. In English. (Image. <strong>Marine Target | 09:36 min | 2022<\/strong> narrator Julia Scher)<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"731\" src=\"https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2023\/03\/1999_Perjovschi_ArtHistory-1024x731.jpeg\" alt=\"\" class=\"wp-image-7374 size-full\" srcset=\"https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2023\/03\/1999_Perjovschi_ArtHistory-1024x731.jpeg 1024w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2023\/03\/1999_Perjovschi_ArtHistory-300x214.jpeg 300w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2023\/03\/1999_Perjovschi_ArtHistory-768x548.jpeg 768w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2023\/03\/1999_Perjovschi_ArtHistory.jpeg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p style=\"font-size:13px\"><strong>TALK<\/strong> 29.3.2023, 7 pm:<\/p>\n\n\n\n<p style=\"font-size:13px\">&#8220;Was Kunstgeschichte [gewesen] sein k\u00f6nnte.\u201c: Prof. Dr. Birte Kleine-Benne (Bauhaus-Universit\u00e4t Weimar) Aproaches toward a new  art science (in German) (Image:lia perjovschi: Art History Theory And Criticism, diagram from ongoing series 1999-today.)<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2023\/03\/202204-barnimages-3-1024x683.jpg\" alt=\"\" class=\"wp-image-7375 size-full\" srcset=\"https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2023\/03\/202204-barnimages-3-1024x683.jpg 1024w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2023\/03\/202204-barnimages-3-300x200.jpg 300w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2023\/03\/202204-barnimages-3-768x512.jpg 768w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2023\/03\/202204-barnimages-3-1536x1024.jpg 1536w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2023\/03\/202204-barnimages-3-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p style=\"font-size:13px\"><strong>TALK<\/strong> 31.3.2023, 19 Uhr:<br>&#8220;Extraktivismen: Die Ausbeutung von Rohstoff als Thema der zeitgen\u00f6ssischen Kunst&#8221;<br>Dr. Hauke Ohls (Uni Duisburg-Essen)<\/p>\n\n\n\n<p style=\"font-size:13px\"> (in German)<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns alignwide are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"724\" height=\"1024\" src=\"https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2023\/07\/Hortus-Americanus-724x1024.png\" alt=\"\" class=\"wp-image-7727 size-full\"\/><\/figure><div class=\"wp-block-media-text__content\">\n<h5 class=\"wp-block-heading has-text-align-center\">HORTUS AMERICANUS: TALKS AROUND LATIN AMERICAN ART IN GERMANY<\/h5>\n\n\n\n<p class=\"has-text-align-right has-small-font-size\">Sponsor by <a href=\"https:\/\/www.nrw-kultur.de\/\" target=\"_blank\" rel=\"noreferrer noopener\">NRWKS<\/a> &amp; <a href=\"https:\/\/www.eikon.at\/content\/de\/startseite.php\" target=\"_blank\" rel=\"noreferrer noopener\">EIKON ZEITSCHRIFT<\/a><\/p>\n\n\n\n<p class=\"has-text-align-right\">\/ gef\u00f6rdet durch NRWKULTURsekretariats Wuppertal\u00a0&amp;\u00a0des Ministeriums f\u00fcr Kultur und Wissenschaft des Landes Nordrhein-Westfalen<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/09\/LANDMARK-3567-1024x683.webp\" alt=\"Hortus Americanus by Jorge Sanguino. Foto work of Roberto Uribe.\" class=\"wp-image-6541 size-full\" srcset=\"https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/09\/LANDMARK-3567-1024x683.webp 1024w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/09\/LANDMARK-3567-300x200.webp 300w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/09\/LANDMARK-3567-768x512.webp 768w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/09\/LANDMARK-3567-1536x1025.webp 1536w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/09\/LANDMARK-3567-272x182.webp 272w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/09\/LANDMARK-3567.webp 1950w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p style=\"font-size:13px\"><strong>CONVERSATION<\/strong> 16\/9\/2022 8 pm.<\/p>\n\n\n\n<p style=\"font-size:13px\">Architectures and Colonialism <\/p>\n\n\n\n<p style=\"font-size:13px\">w\/ Roberto Uribe (COL)<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:45% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"705\" src=\"https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/07\/Oscar_Cueto_Of-Miracles-and-Exception_2_img-1024x705.jpg\" alt=\"\" class=\"wp-image-6399 size-full\" srcset=\"https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/07\/Oscar_Cueto_Of-Miracles-and-Exception_2_img-1024x705.jpg 1024w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/07\/Oscar_Cueto_Of-Miracles-and-Exception_2_img-300x207.jpg 300w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/07\/Oscar_Cueto_Of-Miracles-and-Exception_2_img-768x529.jpg 768w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/07\/Oscar_Cueto_Of-Miracles-and-Exception_2_img-1536x1058.jpg 1536w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/07\/Oscar_Cueto_Of-Miracles-and-Exception_2_img.jpg 1650w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p style=\"font-size:13px\"><strong>CONVERSATION<\/strong> 28\/7\/2022, 8pm<\/p>\n\n\n\n<p style=\"font-size:13px\">w\/ Shinpei Takeda (JP\/MX) &amp; Oscar Cuento (MX)<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/06\/CineCipo-300x169.webp\" alt=\"Talks around Latin American Art in Germany by Jorge Sanguino, image Cine Cipo Barbara Marcel\" class=\"wp-image-6341 size-full\" srcset=\"https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/06\/CineCipo-300x169.webp 300w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/06\/CineCipo-1024x576.webp 1024w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/06\/CineCipo-768x432.webp 768w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/06\/CineCipo.webp 1250w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p style=\"font-size:13px\"><strong>CONVERSATION &amp; SCREENING <\/strong>1\/7\/2022, 8 pm <\/p>\n\n\n\n<p style=\"font-size:13px\">w\/ filmmaker Barbara Marcel (Bra.) around the Amazons, the environment and the exotic view on this complex ecosystem. We will screen parts of her work Cine Cipo (2020), <\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1707\" src=\"https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/05\/DSC_2460-scaled.jpg\" alt=\"Hortus Americanus wildpalms latin american art in Germany\" class=\"wp-image-6184 size-full\" srcset=\"https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/05\/DSC_2460-scaled.jpg 2560w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/05\/DSC_2460-300x200.jpg 300w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/05\/DSC_2460-1024x683.jpg 1024w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/05\/DSC_2460-768x512.jpg 768w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/05\/DSC_2460-1536x1024.jpg 1536w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/05\/DSC_2460-2048x1365.jpg 2048w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/05\/DSC_2460-272x182.jpg 272w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p style=\"font-size:13px\"><strong>CONVERSATION &amp; SCREENING<\/strong> 19\/5\/2022<\/p>\n\n\n\n<p style=\"font-size:13px\">&#8220;Sunshine Talk&#8221; <br>w\/ Jos\u00e9 Elguezabal<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/05\/DSC_2382-1024x683.jpg\" alt=\"\" class=\"wp-image-6132 size-full\" srcset=\"https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/05\/DSC_2382-1024x683.jpg 1024w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/05\/DSC_2382-300x200.jpg 300w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/05\/DSC_2382-768x512.jpg 768w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/05\/DSC_2382-1536x1024.jpg 1536w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/05\/DSC_2382-2048x1365.jpg 2048w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2022\/05\/DSC_2382-272x182.jpg 272w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p style=\"font-size:13px\"><strong>CONVERSATION<\/strong> 6\/5\/2022 <\/p>\n\n\n\n<p style=\"font-size:13px\">&#8220;Present &amp; Future Latin American artistic Diaspora&#8221;<br>w\/ Claudia Zea-Schmidt &amp; Mario Asef<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n<p>TALKS &amp; SCREENINGS ON US AMERCIAN &amp; LATIN AMERICAN ARTIST PRACTICES <\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"427\" src=\"https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2023\/07\/Vime_Still_Image-copy-1024x427.jpg\" alt=\"\" class=\"wp-image-7670 size-full\" srcset=\"https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2023\/07\/Vime_Still_Image-copy-1024x427.jpg 1024w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2023\/07\/Vime_Still_Image-copy-300x125.jpg 300w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2023\/07\/Vime_Still_Image-copy-768x320.jpg 768w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2023\/07\/Vime_Still_Image-copy-1536x640.jpg 1536w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2023\/07\/Vime_Still_Image-copy-2048x853.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-small-font-size\">SCREENING &amp; TALK <\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>October 15th 2021, 7:30pm<\/strong>:<\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>Territorios De Agua, Putumayo, Colombia<\/strong><\/p>\n\n\n\n<p style=\"font-size:11px\"><a href=\"https:\/\/www.felipecastelblanco.com\/\">Felipe Castelblanco<\/a> &amp; Ayenan present their films and project.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"602\" src=\"https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2020\/07\/92f9e3c1-9620-4435-b62e-4ed88acca906-1024x602.jpg\" alt=\"\" class=\"wp-image-3211 size-full\" srcset=\"https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2020\/07\/92f9e3c1-9620-4435-b62e-4ed88acca906-1024x602.jpg 1024w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2020\/07\/92f9e3c1-9620-4435-b62e-4ed88acca906-300x176.jpg 300w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2020\/07\/92f9e3c1-9620-4435-b62e-4ed88acca906-768x451.jpg 768w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2020\/07\/92f9e3c1-9620-4435-b62e-4ed88acca906-1536x902.jpg 1536w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2020\/07\/92f9e3c1-9620-4435-b62e-4ed88acca906-750x441.jpg 750w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2020\/07\/92f9e3c1-9620-4435-b62e-4ed88acca906-400x235.jpg 400w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2020\/07\/92f9e3c1-9620-4435-b62e-4ed88acca906-430x253.jpg 430w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2020\/07\/92f9e3c1-9620-4435-b62e-4ed88acca906-150x88.jpg 150w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2020\/07\/92f9e3c1-9620-4435-b62e-4ed88acca906-100x59.jpg 100w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2020\/07\/92f9e3c1-9620-4435-b62e-4ed88acca906.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-small-font-size\">SCREENING &amp; TALK <\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>July 27th 2020, 7:30pm<\/strong>:<\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>Putumayo, Colombia<\/strong><\/p>\n\n\n\n<p style=\"font-size:11px\"><a href=\"https:\/\/www.felipecastelblanco.com\/\">Felipe Castelblanco<\/a> presents his project with Camilo Pachon on indigenous filmmaking. Screening of <em>El Maestro<\/em> and <em>Norelly<\/em> by Nambi Rimai Comunicacion.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" src=\"https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2018\/12\/1.jpg\" alt=\"\" class=\"wp-image-2266 size-full\"\/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-small-font-size\">TALK <\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>January 2019<\/strong>:<\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>Cali, Colombia<\/strong><\/p>\n\n\n\n<p style=\"font-size:11px\">w\/ Sebastian Mejia, moderated by Jorge Sanguino<\/p>\n<\/div><\/div>\n\n\n\n<h5 class=\"wp-block-heading alignwide has-text-align-center has-background\" style=\"background-color:#d1dfe4\">Most recent articles &amp; publications:<\/h5>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-embed wp-block-embed-embed\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"LfP4lEdCDP\"><a href=\"https:\/\/esferapublica.org\/la-discriminacion-del-fetichismo-material\/\">La discriminaci\u00f3n del fetichismo material<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"\u00abLa discriminaci\u00f3n del fetichismo material\u00bb \u2014 \" src=\"https:\/\/esferapublica.org\/la-discriminacion-del-fetichismo-material\/embed\/#?secret=NnXjLIBxWG#?secret=LfP4lEdCDP\" data-secret=\"LfP4lEdCDP\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-embed wp-block-embed-embed\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"1zP8uwtPr9\"><a href=\"https:\/\/esferapublica.org\/la-excepcion-del-arte-contemporaneo\/\">La excepci\u00f3n de lo contempor\u00e1neo<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"\u00abLa excepci\u00f3n de lo contempor\u00e1neo\u00bb \u2014 \" src=\"https:\/\/esferapublica.org\/la-excepcion-del-arte-contemporaneo\/embed\/#?secret=xybdaN5xne#?secret=1zP8uwtPr9\" data-secret=\"1zP8uwtPr9\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-embed wp-block-embed-embed\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"Gm5rqgQe6j\"><a href=\"https:\/\/esferapublica.org\/el-mercado-del-arte-como-lujo-extracciones-de-capital-cultural-y-capital-social\/\">El mercado del arte como lujo: extracciones de capital cultural y capital social<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"\u00abEl mercado del arte como lujo: extracciones de capital cultural y capital social\u00bb \u2014 \" src=\"https:\/\/esferapublica.org\/el-mercado-del-arte-como-lujo-extracciones-de-capital-cultural-y-capital-social\/embed\/#?secret=1xzIuf1lED#?secret=Gm5rqgQe6j\" data-secret=\"Gm5rqgQe6j\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-embed wp-block-embed-embed\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"nimL9yeq1L\"><a href=\"https:\/\/esferapublica.org\/el-sancocho-vs-monet\/\">El Sancocho vs Monet<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"\u00abEl Sancocho vs Monet\u00bb \u2014 \" src=\"https:\/\/esferapublica.org\/el-sancocho-vs-monet\/embed\/#?secret=Keb95l9QTj#?secret=nimL9yeq1L\" data-secret=\"nimL9yeq1L\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-embed wp-block-embed-embed\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"wW8bB240RY\"><a href=\"https:\/\/esferapublica.org\/las-ruinas-de-documenta\/\">El silenciamiento del pensamiento cr\u00edtico en Documenta 15<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"\u00abEl silenciamiento del pensamiento cr\u00edtico en Documenta 15\u00bb \u2014 \" src=\"https:\/\/esferapublica.org\/las-ruinas-de-documenta\/embed\/#?secret=8fZVn6g2Uw#?secret=wW8bB240RY\" data-secret=\"wW8bB240RY\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-embed wp-block-embed-embed\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"m4mkYIp9fK\"><a href=\"https:\/\/esferapublica.org\/el-esquema-ponzi-coleccionistas-curadores-galerias-y-los-dineros-publicos\/\">El esquema Ponzi: Coleccionistas-Curadores-Galer\u00edas y los dineros p\u00fablicos<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"\u00abEl esquema Ponzi: Coleccionistas-Curadores-Galer\u00edas y los dineros p\u00fablicos\u00bb \u2014 \" src=\"https:\/\/esferapublica.org\/el-esquema-ponzi-coleccionistas-curadores-galerias-y-los-dineros-publicos\/embed\/#?secret=1M91XJNW0y#?secret=m4mkYIp9fK\" data-secret=\"m4mkYIp9fK\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-embed wp-block-embed-embed\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"VkvdC4il15\"><a href=\"https:\/\/esferapublica.org\/el-artista-pobre-vs-el-artista-rico-las-exhibicion-con-los-trabajos-de-grado\/\">El artista pobre vs el artista rico. La exhibici\u00f3n con los trabajos de grado<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"\u00abEl artista pobre vs el artista rico. La exhibici\u00f3n con los trabajos de grado\u00bb \u2014 \" src=\"https:\/\/esferapublica.org\/el-artista-pobre-vs-el-artista-rico-las-exhibicion-con-los-trabajos-de-grado\/embed\/#?secret=oaNjyhXjIR#?secret=VkvdC4il15\" data-secret=\"VkvdC4il15\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-embed wp-block-embed-embed\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"OMw97prF5l\"><a href=\"https:\/\/esferapublica.org\/los-memes-versus-el-mercado-del-arte\/\">\u00bfSon los memes una amenaza para el mercado del arte?<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"\u00ab\u00bfSon los memes una amenaza para el mercado del arte?\u00bb \u2014 \" src=\"https:\/\/esferapublica.org\/los-memes-versus-el-mercado-del-arte\/embed\/#?secret=1GsAnyDjRP#?secret=OMw97prF5l\" data-secret=\"OMw97prF5l\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-embed wp-block-embed-embed\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"umONET3vqv\"><a href=\"https:\/\/esferapublica.org\/como-funciona-la-relacion-entre-el-sistema-del-arte-y-las-practicas-extractivas\/\">\u00bfC\u00f3mo funciona la relaci\u00f3n entre el sistema del arte y las pr\u00e1cticas extractivas?<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"\u00ab\u00bfC\u00f3mo funciona la relaci\u00f3n entre el sistema del arte y las pr\u00e1cticas extractivas?\u00bb \u2014 \" src=\"https:\/\/esferapublica.org\/como-funciona-la-relacion-entre-el-sistema-del-arte-y-las-practicas-extractivas\/embed\/#?secret=FK68iC9kBT#?secret=umONET3vqv\" data-secret=\"umONET3vqv\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-embed wp-block-embed-embed\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"m4mkYIp9fK\"><a href=\"https:\/\/esferapublica.org\/el-esquema-ponzi-coleccionistas-curadores-galerias-y-los-dineros-publicos\/\">El esquema Ponzi: Coleccionistas-Curadores-Galer\u00edas y los dineros p\u00fablicos<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"\u00abEl esquema Ponzi: Coleccionistas-Curadores-Galer\u00edas y los dineros p\u00fablicos\u00bb \u2014 \" src=\"https:\/\/esferapublica.org\/el-esquema-ponzi-coleccionistas-curadores-galerias-y-los-dineros-publicos\/embed\/#?secret=1M91XJNW0y#?secret=m4mkYIp9fK\" data-secret=\"m4mkYIp9fK\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-embed wp-block-embed-embed\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"RbeZbmw0a5\"><a href=\"https:\/\/esferapublica.org\/el-formalismo-de-los-ninos-ricos-globales-los-followers-de-la-clase-media-y-la-extraccion-estetica-de-los-marginalizados-el-nuevo-regimen-estetico\/\">El  \u2018formalismo\u2019 de los ni\u00f1os ricos globales, los followers de la clase media y la extracci\u00f3n est\u00e9tica de los marginalizados. El nuevo r\u00e9gimen est\u00e9tico.<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"\u00abEl  \u2018formalismo\u2019 de los ni\u00f1os ricos globales, los followers de la clase media y la extracci\u00f3n est\u00e9tica de los marginalizados. El nuevo r\u00e9gimen est\u00e9tico.\u00bb \u2014 \" src=\"https:\/\/esferapublica.org\/el-formalismo-de-los-ninos-ricos-globales-los-followers-de-la-clase-media-y-la-extraccion-estetica-de-los-marginalizados-el-nuevo-regimen-estetico\/embed\/#?secret=HMtcf1Jrk7#?secret=RbeZbmw0a5\" data-secret=\"RbeZbmw0a5\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\n<h5 class=\"wp-block-heading alignwide has-text-align-center has-background\" style=\"background-color:#d1dfe4\">PODCASTS<\/h5>\n\n\n\n<div class=\"wp-block-media-text alignwide\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"483\" height=\"480\" src=\"https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2021\/02\/gamestop.png\" alt=\"Jorge Sanguino Podcast Art of the Americas\" class=\"wp-image-4339 size-full\" srcset=\"https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2021\/02\/gamestop.png 483w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2021\/02\/gamestop-300x298.png 300w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2021\/02\/gamestop-150x149.png 150w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2021\/02\/gamestop-400x398.png 400w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2021\/02\/gamestop-430x427.png 430w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2021\/02\/gamestop-100x99.png 100w\" sizes=\"auto, (max-width: 483px) 100vw, 483px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong><a href=\"https:\/\/artoftheamericas.net\/podcasts\/mario-asef-gamestop-reddit-y-la-bolsa-de-valores\/\" target=\"_blank\" rel=\"noreferrer noopener\">Podcast<\/a><\/strong><a href=\"https:\/\/soundcloud.com\/user-411684960\/marioasefmarket\"> <\/a>(in Spanish)<\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong><a href=\"https:\/\/artoftheamericas.net\/podcasts\/mario-asef-gamestop-reddit-y-la-bolsa-de-valores\/\" target=\"_blank\" rel=\"noreferrer noopener\">Gamestop, Reddit y la bolsa de valores<\/a><\/strong><\/p>\n\n\n\n<p style=\"font-size:11px\"><a href=\"https:\/\/www.felipecastelblanco.com\/\">Mario Asef <\/a>in conversation with Jorge Sanguino. &#8220;Sobre la bolsa de valores, la econom\u00eda y el rol de la obra de arte para entender procesos financieros. Con ello nos acercamos a dos obras de Mario. La edad de Hielo, su residencia en Opel, Francfort, y Konsum der Landschaft.&#8221;<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide\" style=\"grid-template-columns:51% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"http:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2020\/03\/Rio_Web-1024x1024.jpg\" alt=\"podcast art of latinamerica felipe castelblanco\" class=\"wp-image-2979 size-full\" srcset=\"https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2020\/03\/Rio_Web-1024x1024.jpg 1024w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2020\/03\/Rio_Web-300x300.jpg 300w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2020\/03\/Rio_Web-150x150.jpg 150w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2020\/03\/Rio_Web-768x768.jpg 768w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2020\/03\/Rio_Web-1536x1536.jpg 1536w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2020\/03\/Rio_Web-2048x2048.jpg 2048w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2020\/03\/Rio_Web-750x750.jpg 750w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2020\/03\/Rio_Web-400x400.jpg 400w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2020\/03\/Rio_Web-430x430.jpg 430w, https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2020\/03\/Rio_Web-100x100.jpg 100w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><a href=\"https:\/\/artoftheamericas.net\/podcasts\/felipe-castelblanco-te-de-bogota\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Podcast<\/strong> <\/a>(in Spanish)<\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong><a href=\"https:\/\/artoftheamericas.net\/podcasts\/felipe-castelblanco-te-de-bogota\/\" target=\"_blank\" rel=\"noreferrer noopener\">Putumayo, Colombia.<\/a><\/strong><\/p>\n\n\n\n<p style=\"font-size:11px\"><a href=\"https:\/\/wild-palms.com\/es\/felipe-castelblanco\/\">Felipe Castelblanco<\/a> talks with Jorge Sanguino about his research in the Putumayo and the consequences of the Pandemic in the Region and with their inhabitants.<\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:42px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading alignwide has-background\" style=\"background-color:#d1dfe4\">WRITINGS &#8211; BAJO LA PALMERA<\/h5>\n\n\n<ul class=\"wp-block-latest-posts__list wp-block-latest-posts\"><li><div class=\"wp-block-latest-posts__featured-image alignleft\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2021\/01\/Screen-Shot-2021-01-01-at-16.43.43-150x150.png\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"critic at Hans Ullrich Ubrist by Jorge Sanguino\" style=\"\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/wild-palms.com\/es\/blog\/2021\/01\/01\/cuando-el-arte-se-vuelve-wellness-y-pretende-salvar-al-mundo\/\">Cuando el arte se vuelve wellness y pretende salvar al mundo<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2020\/12\/Screen-Shot-2020-12-30-at-18.09.08-150x150.png\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" style=\"\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/wild-palms.com\/es\/blog\/2020\/12\/30\/precarization-and-self-precarization\/\">Precarization and Self-precarization<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/wild-palms.com\/es\/wp-content\/uploads\/sites\/3\/2020\/12\/Screen-Shot-2020-12-30-at-18.09.25-150x150.png\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" style=\"\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/wild-palms.com\/es\/blog\/2020\/12\/30\/precarizacion-y-autoprecarizacion\/\">Precarizaci\u00f3n y Autoprecarizaci\u00f3n<\/a><\/li>\n<\/ul>\n\n\n<p><\/p>\n\n\n\n<div style=\"height:57px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p>to read more articles, check <a href=\"https:\/\/artoftheamericas.net\/category\/writings\/\" target=\"_blank\" rel=\"noreferrer noopener\">WRITINGS | ART OF THE AMERICAS<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ART OF THE AMERICAS with the title of ART OF THE AMERICAS Jorge Sanguino &amp; wildpalms produce qualitative and amusing content in form of talks, screenings, articles and podcasts.Each session has a specific focus on different cities, regions and countries with artists, curators and other art professionals working in those regions. The aim is to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","hide_page_title":"","footnotes":""},"class_list":["post-2499","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Art of the Americas - wildpalms ES<\/title>\n<meta name=\"description\" content=\"Created by Jorge Sanguino, art of the americas is the first &amp; unique Latin American Art in Germany knowledge\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/wild-palms.com\/es\/art-of-the-americas\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Art of the Americas - 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